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Happy Valentine's Day!

on February 14, 2021

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Valentine's Day

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Venus And Mars 50th Anniversary Half-Speed

Ringo Starr - Look Up

John Lennon - Mind Games (Meditation Mixes)

1964 US Albums In Mono Vinyl Box Set

A Hard Day's Night Soundtrack - U.S. Mono Vinyl

The Early Beatles - U.S. Mono Vinyl

Beatles '65 - U.S. Mono Vinyl

Something New - U.S. Mono Vinyl

The Beatles' Second Album - U.S. Mono Vinyl

Meet The Beatles - U.S. Mono Vinyl

John and Yoko 'One to One' Live EP and Ltd. Edition Zoetrope Pressing of George's 'All Things Must Pass' Set for Record Store Day Release

The new Record Store Day release list is out today and includes a few interesting Beatles-related items detailed below. RSD will be April 12. John & Yoko, The Plastic Ono Band, Elephant's Memory - Power To The People - Live at the One-To-One Concert, New York City, 1972 On August 30, 1972, John Lennon and Yoko Ono, along with the Plastic Ono Band, Elephant’s Memory, and special guests, headlined two historic One to One Benefit Concerts at Madison Square Garden in New York City. These performances, held before a combined audience of 40,000 people, raised over $1.5 million to support schoolchildren with special needs. These were John Lennon’s final and only full-length solo concerts after leaving The Beatles. Produced by Sean Ono Lennon and mixed and engineered from the original tapes by Paul Hicks and Sam Gannon, this extremely limited-edition EP features four tracks from the afternoon and evening concerts, including three previously unreleased performances. Available exclusive...

Paul McCartney's Surprise Show at NYC's Bowery Ballroom

Here are some TV news reports on Paul's show at the small club last night. The Associated Press provided some highlights in its report of the show: Paul McCartney’s previous New York-area performance took place three years ago at MetLife Stadium, capacity 82,500. His surprise show Tuesday night at the Bowery Ballroom fit, at most, 575. ...“So, here we are,” McCartney said, grinning. “Some little gig. New York. Why not?” Later, he added before launching into “Let Me Roll It”: “I can’t quite believe we’re here, doing this. But we are here, doing this.” McCartney took the stage roughly on time at 6:30 p.m. with his regular band, along with a three-member horn section. They had only rehearsed once, the day before, McCartney said. Someone shouted: “You don’t need to rehearse!” If the location was stripped down, the former Beatle didn’t come with a minimized show, packing in a blistering tour through his entire catalog, from Beatles classics to Wings hits. He began with ...

Vintage Ad for Paul McCartney and Wings' 'Mull of Kintyre'

Second Paul McCartney Gig at NYC's Bowery Ballroom Sells Out in Minutes - Show Tonight

Paul McCartney is repeating last night's formula again tonight: Another surprise show at New York's 500-plus capacity Bowery Ballroom. Once again, tickets for the show were announced on the spur of the moment and sold out in minutes, available only at the ballroom's box office. Paul is set to perform on SNL's 50th anniversary TV special set to air Sunday.

Paul McCartney Sings the Praises of His Legendary Hofner Bass

Paul talks to Guitar Player about the instrument he's most closely associated with: “I saw a little bit of the Let It Be film of the Beatles on the roof doing ‘Get Back,’” McCartney said, “and I realized that the way I was holding the Höfner was not like you hold a big, heavy thing that weighs you down and you sort of become a part of it. "The Wals are considerably heavier," he noted. "And the Rickenbacker's are in between.” There’s no denying the Höfner bass looks practically weightless in McCartney’s hands. While he indicates the “Get Back" performance, his work on "Don't Let Me Down," especially during the song's outro, shows how he could play the bass almost like a lead guitar. “So when I saw this Let It Be footage, I noticed how easy it looked to play. And because it's so light, you play guitary stuff on it; you play quite fast stuff. It just kind of flows more naturally than if you're on a physically heavy bass. So I got back...

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