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Original Stu Sutcliffe artworks

on August 19, 2015

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Early drawings by Stu, via Heritage Auctions.

Stu Sutcliffe

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News not covered in our other posts this week. ITEM! Kevin Macdonald On Diving Into John Lennon’s Archive For Venice Doc ‘One To One: John & Yoko’ - Deadline ITEM! JD Vance becomes laughingstock when he mixes up slain American soldiers with the Beatles - BoingBoing ITEM! John Lennon’s inspiration for ‘Strawberry Fields’ bears new fruit for Salvation Army - Religion News Service ITEM! A Beatles Historian Found a One-of-a-Kind 1965 Concert Recording. Now He’s Looking to Sell - Billboard ITEM! Interview: Music Journalist and Historian Aaron Badgley Talks ‘Dark Horse Records: The Story of George Harrison’s Post-Beatles Record Label’ - ITEM! Celebrating the 60th Anniversary of the Beatles at the Hollywood Bowl: Martin Lewis to Speak on the Dawn of the Outdoor Rock Concert Age, and Debut Two ‘Sgt. Pepper’-Era Curios - Variety ITEM! The surprising story behind how the Beatles went viral in 1964 - USA Today ITEM! Jacaranda receives historical plaque to mark first perform

Watch the Trailer for Upcoming Documentary 'One To One: John & Yoko'

Another day, another Lennon doc... Details from the news release issued back in May: "One to One: John & Yoko," is a moving look at the couple's life upon their entry into a transformative 1970's New York, exploring their musical, personal, artistic, social, and political world. Set in 1972 against the backdrop of a turbulent era in American history, the film was directed by Kevin Macdonald. At the core of the story are the One to One Concerts, John Lennon's only full-length performances after The Beatles, accompanied by Yoko Ono, The Plastic Ono Band, Elephant's Memory and Special Guests. With remixed concert audio produced by Sean Ono Lennon, the film features newly transferred and restored footage, as well as a wealth of previously unseen and unheard personal archives, such as phone calls and home movies recorded and filmed by John and Yoko themselves. A look inside two of history's most influential and iconic artists, the film provides an intimat

Review: The 'New' 'Let it Be' Looks Great But its Flaws are More Evident Than Ever

I enjoyed streaming the newly restored "Let it Be" on Disney+ over the weekend and thought that it looked and sounded great. Finally, those gloomy Twickenham scenes look a bit brighter and the Beatles are brought out of the shadows. Everything is more colorful and sharp. I think part of this film's reputation as a "downer" was due to the poor image quality. It's worth remembering that the footage originally was shot for TV and then blown up for display on movie screens and never did look that good -- not on movie screens nor on VHS. Once again, Peter Jackson's team has performed a visual feat of magic. Meanwhile, Disney and Apple have performed a bit of PR magic, too, in changing the narrative around the film, telling us that it's not a depressing look at the Beatles breaking up, but a joyful document of them working together -- a lost, misunderstood classic. The intro to the restored film with Jackson and the film's director Michael Lindsay-Ho

How ridiculous are Quincy Jones' comments about the Beatles?

Making the rounds this week are some unkind remarks Quincy Jones made about the Beatles in an interview with Vulture . To wit: What’d you think when you first heard rock music? Rock ain’t nothing but a white version of rhythm and blues, motherfucker. You know, I met Paul McCartney when he was 21. What were your first impressions of the Beatles? That they were the worst musicians in the world. They were no-playing motherfuckers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, “Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.” So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, “George, can you play it

Is Preludin the "drug that made the Beatles"?

The St. Louis Riverfront Times takes a fairly thorough look at the tiny diet pill that helped fuel the early Beatles' marathon performances in Hamburg nightclubs. Officially known as phenmetrazine and sold under the name Predulin, the drug was popular in Europe in the late 1950s and early 1960s. Prellies were especially easy to obtain in Hamburg's red light district, St. Pauli. Sold as a diet pill, prellies became the drug of choice for the Beatles and other bands looking to stay sharp and awake. Tony Sheridan -- whose "My Bonnie" features the Beatles as a backing band, the group's first recording -- helped introduce the Beatles to the drug in 1961, during their second trip to Hamburg. "Here's something to keep you awake," he reportedly told the group . Old speed freaks wax nostalgic about prellies like they do every drug that's no longer around. It's "said by many old, old, incredibly old school speed freaks that phen

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Original Stu Sutcliffe artworks

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